In addition to my movie reviews at St. Anthony Messenger and the National Catholic Reporter, I continue to post on my Patheos blog. Click here for the latest.
In addition to my movie reviews at St. Anthony Messenger and the National Catholic Reporter, I continue to post on my Patheos blog. Click here for the latest.
My column this month outlines how you can make a retreat from your seat if you are unable to a retreat house.
For Lent this year, the Pauline Center for Media Studies hosted a six-part weekly program using The Way, starring Martin Sheen. In the film written and directed by Sheen’s son, Emilio Estevez, Sheen plays Tom Avery, a widower who travels to France to bring home the body of his son who died in an accident. Tom discovers his son had just set out to make
the 800-kilometer pilgrimage to the shrine of St. James of Compostela and resolves to
take his place on the Camino (see October 2011 St. Anthony Messenger).
Because we wanted to keep the motif of the pilgrimage, even though we met at our center and people arrived by bus or car, our slogan was “If you can’t walk it with your feet, you can do it from your seat!” The same can be said for an annual retreat, which can be made at home if you’re unable to get away to a retreat house. Summertime is ideal to live out Jesus’ invitation to the disciples in Mark 6:31: “Come away by yourselves to a deserted
place and rest a while.”
Narrative films are an ideal way to bridge faith and life, using the format and methodology of the spiritual exercises of St. Ignatius. A Scripture verse that reflects Tom’s reality and journey in The Way is John 9:11.
Continue reading the On Faith and Media column here
For reviews of BRAVE, Madagascar 3, MEN IN BLACK 3, The Avengers, CHIMPANZEE, Dark Shadows, SNOW WHITE AND THE HUNTSMAN, Battleship, and THE LUCKY ONE click on Sister Rose Goes to the Movies.
Movies featuring the life of Jesus have been around almost since the beginning of cinema. The first narrative film about his life was a series of shorts edited by Lucien Nonguet. Historian Charles Keil described these early attempts as a “series of tableaux, autonomous units.” It was up to the viewer to knit the narrative together in his or her imagination.
In his book Imaging the Divine: Jesus and Christ Figures in Film (1997), Lloyd Baugh makes a distinction between films that depict the life of Jesus and those that include Jesus as a character. Christ-figures are those characters who do as Jesus did, laying down their lives for others or exhibiting traits that reflect Christ.
Baugh divides Jesus films into categories: classic (King of Kings), musical (Jesus Christ Superstar), scandal (The Last Temptation of Christ) and Pasolini’s masterpiece The Gospel According to St. Matthew.
Lent provides the spiritual environment and opportunity to contemplate images of Jesus in cinema. We may be inspired by the filmmaker’s imagining of Christ or challenged about our knowledge of the Jesus of the Gospels.
Most of the following films are available on DVD and may be appearing on television for Holy Week and Easter.
To continue reading Sr. Rose’s column in the April 2012 issue St. Anthony messenger click here
Monday, April 2 at 7pm: WE HAVE A POPE. This wry comic drama from Italian director Nanni Moretti takes us inside the Vatican as the College of Cardinals struggle to elect a new Pope. Unfortunately, the man selected for the post—played by veteran French actor Michel Piccoli—is not at all certain that he wants the job. Guest speakers: Aine O’Healy, professor of Italian and director of the Humanities Program at Loyola Marymount University; Maria Elena de las Carreras, professor of film at UCLA, Cal State Northridge, and the New York Film Academy; Sister Rose Pacatte, Pauline Center for Media Studies; and Scott Young, executive director, University Religious Conference at UCLA.
The nation, indeed the world, is enthralled by Jeremy Lin, the undrafted humble Harvard underdog who has stunned the NBA and the New York Knicks with his performances on the basketball court these last couple of weeks.
But hidden in the deep South, somewhere around the decrepit environs of North Memphis, Tenn., a high school football team struggles to succeed just as it did in 2010 when The Tigers, the school’s football team, for the first time in the school’s 110 year history, made it to the playoffs.
“Undefeated” is an Oscar-nominated feature-length documentary about that team that enthralls from the first two minutes. I admit, I was not enthusiastic about reviewing another sports film, let alone football.
Now I can say that I understand why people see football as a religion — in a good way. Why? Because over the six years that the chubby white volunteer coach Bill Courtney guided this team, they prayed, fought, asked forgiveness, and lived genuine “agape” as a community.
The panel for the special screening of THE WAY last Saturday night in Los Angeles; photo by Frederic Charpentier
On Nov. 5, Catholics in Media Associates (CIMA) of the Archdiocese of Los Angeles, in collaboration with Mt. St. Mary’s College Chalon Campus, hosted a screening and panel discussion of Emilio Estevez’s new film “The Way.”
I had the honor of interviewing Sheen about the film for NCR, so being part of this event was an added grace. I can’t think of another way to put it.
“The Way” is the story of California widowed father and ophthalmologist, Tom, who goes to France to bring home the body of his son, who died in an accident just as he was to embark on the famous Camino to the Shrine of Santiago de Compostela in Spain. He finds three companions along the way, a pilgrimage that changed him from choosing a life to living it, opened up his view of the world from his small little golf course to countries and people he never thought about, that healed a father-son relationship, even in death, and celebrates the divine hope of reconciliation, even in a church that can be, as the character Jack says, a “temple of tears.”
For more click here for Sr. Rose’s blog on NCR
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