Stranger than Fiction Movie

This exceedingly clever film is directed by the impressive Marc Forster who also gave us Monster’s Ball and Finding Neverland (and the upcoming The Kite Runner that should be really good, too, given Forster’s track record and that the book is such an excellent story.)


Story is the key to enjoying Stranger than Fiction, because as the narrator, Karen Eiffel (Emma Thompson), of this story within a story within a story says, it is stories that will save us.


Howard Crick (Will Ferrell) lives by his wrist watch. He is an IRS agent who lives an unadorned life, works in an unadorned cubicle, and sleeps in an unadorned apartment. He has only one friend until he begins to audit the flamboyant Ana Paschal (Maggie Gyllenhaal) who refuses to pay the percentage of her taxes that go to the military defense machine and other categories to which she objects. We hear the voice of the disembodied narrator from the beginning and then find out that Howard not only hears her voice as we do, but realizes his life is going according to her narration.


Karen Eiffel is the narrator, the omniscient tortured chain-smoking story-teller, who is shocked to discover that her hero is a real person. To her, and a professor of literature (played by Dustin Hoffman) that Howard consults, the hero must die if the story is to live forever.




I found Stranger than Fiction fascinating and completely enjoyable; it reminded me of Sliding Doors because reality takes place simultaneously in different “spaces” so to speak. The film offers much to talk about from our human need for stories, to the responsibility of writers, to the story-tellers contribution to culture, to entertainment, be it comedy or tragedy (the professor’s definition of what makes comedy and tragedy is worth considering, too), to the anonymity of life in the city. Stranger than Fiction is also about life and not just accepting roles or narratives that are mere categories we can be fit into or fit ourselves into; it’s about living deliberately – and joyfully. And heroes do not always have to die to be great.


Will Ferrell is not one of my favorite actors, but here he proves his talent by taking on a whole new persona; he’s credible. Emma Thompson and Hoffman both give excellent performances, and Queen Latifah, as Karen’s assistant, is as elegant as ever. Maggie Gyllenhaal is a natural as the bright, peppy, colorful, kind and principled neighborhood baker.


If you like stories, be sure to see Stranger than Fiction, and if you love stories, make this film a must-see.

Happy Feet Movie

I know it has been months since I have posted regular updates on the films I have seen. But now I am going to try and keep up, though the reviews may be shorter.


You can visit for the films I reviewed for the December issue of St. Anthony Messenger; for previously reviewed films between June and November, search for titles using the alphabetical list on the bottom of the page on the magazine’s site.


Happy Feet is quite a mixture of story themes played out as an animated musical version of last year’s Oscar Award-winning documentary film: March of the Penguins. (It also reminded me of the CRM motivational film that came out a few years ago, A Peacock in the Land of Penguins; see  These themes are: being different (Mumble – voice of Elijah Wood – is a baby Emperor penguin who cannot sing to search for a mate, but is born late and his only talent is tap dancing), tolerance, cultural diversity, family, community vis-à-vis individuality, tribalism, the environment and the food chain, and being willing to make sacrifices for the common, greater, good.


I also thought the penguin’s elder leader, with the Scottish brogue and his invitation that Mumble “repent”, along with the church on the hill with the graveyard that was near the oil or fishprocessing plant was an interesting “religious” gloss. How can you change who you are if you are born that way? Is one of the writer’s commenting from an evangelical or Calvinist background that questions its tenets? No matter; the question is valid but perhaps lost by trying to do to much with this anthropomorphic tale.


The animated penguins are delightfulto look at, the science and effects of humankind on nature well-presented. It is directed by the noted Australian George Miller who also has Babe, Pig in the City, Lorenzo’s Oil, and the Mad Max trilogy to his credit. I think the film provides a fine platform to talk about the themes its four-member writing team introduced into the little-bit too long of a film.


Entertaining and thoughtful.